This article presents a compilation of newspaper reviews from the 1960s–1970s tracing the critical reception of Argentine abstract artist Roberto Pignataro and his place in the Buenos Aires art scene.
Read MoreAn Art Critic Enters the Showroom
In 1970, Roberto Pignataro unveiled a breakthrough series at Galería Lirolay in Buenos Aires, establishing a new visual language in abstract art. This article explores the evolution of his technique and the moment art critic César Magrini encountered the work—leaving him stunned and struggling for words.
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