Between 1963 and 1969, Roberto Pignataro’s work entered Argentina’s radio and television broadcasts through critics including Amadeo Dell’Acqua, Jorge Romero Brest, Ernesto Ramallo, and Cayetano Córdova Iturburu. With no recordings presently known to survive, this article reconstructs those appearances from transcripts, memoranda, program records, and a rare photograph taken from a television screen.